Benjamin Duterrau and his National picture project are at the core of this publication because he was the colonial artist most interested in Tasmania's Aboriginal people, and the only artist who chose to depict, on a substantial scale, their conciliation or pacification by George Augustus Robinson. Tasmanian officials tried to use paintings to show to Aboriginal people 'the cause of the present warfare' and the 'real wishes of the government': 'the desired termination of hostility'.